Who’s Responsible for Dr. Manhattan?

February 25th, 2009

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There are two things to consider when looking at how everyone’s favourite naked blue superman has been interpreted for the screen. One, there’s Billy Crudup’s voice performance and motion-capture work. Two, there’s the team of animators responsible for actually drawing Dr. Manhattan.

First off – Billy Crudup is an interesting choice. Definitely not the first name I would have thought of, but definitely not a bad pick. Crudup’s a talented guy and I think he’s got exactly what it takes to tackle the good doctor.

Manhattan, for the uninitiated, is a unique character in that he’s the only hero with any real superpowers – and boy does he have power. Basically the guy can do whatever he wants – the only problem is that he’s become so powerful that he’s lost touch with humanity. As a result, he’s a little lonely. If I had to pick three words to describe Dr. Manhattan, I’d go with cold, distant, and sad. 

Now I know Crudup can do cold (see Dedication), and I know Crudup can do distant (see Almost Famous), but I’ve yet to really see him do sad. I’ve seen him angst-ridden, depressed, brooding, and miserable, but not sad in the purest sense of the word. You know, not angry, not frustrated, just the “I’m so sad I need to get away to Mars to clear my head for a bit” kind of sad.

But I’m not too worried, because this is where the animators come in. From what I’ve seen, it looks like they’ve nailed the patented subtly-sad Dr. Manhattan face. In the publicity stills the poor doctor looks just as upset as he does in the comic. Now, don’t get me wrong, I know Crudup did a lot of motion-capture work, so he totally deserves credit for the sad-face, but I think the animators also deserve a round of applause. I don’t think I’ve ever seen a CGI face quite so expressive… except maybe for WALL-E, but he’s a robot so he doesn’t count.

I have only one minor issue with how they’ve handled Dr. Manhattan, and that’s his voice. In the graphic novel, it’s implied through distinctly-coloured speech bubbles that Dr. Manhattan speaks with an altered voice – it’s one more thing that separates him from the rest of us lowly humans. In the film, however, they’re using Crudup’s voice au natural. Not a major change, but it does make Dr. Manhattan seem more human, which is sort of the exact opposite of how he should be portrayed…

But again I’m being picky.

In any event, at least they’ve finally released the Dr. Manhattan costume I’ve always wanted.

Pirates: what every good superhero movie needs

February 24th, 2009

If you’ve been following the Internet chatter surrounding WATCHMEN, chances are you’ve heard rumblings about a side project called Tales of the Black Freighter.

For those of you who still haven’t read the graphic novel (and seriously, you should get on that) Tales of the Black Freighter is an elaborate comic-within-a-comic that makes several appearances throughout WATCHMEN. On the first read, it’s kinda difficult to see TotBF’s  relevance to the larger story – after all, it’s a comic book about pirates that serves only to entertain one background character. On closer inspection, however, you can see that TotBF is packed with allusions and metaphors that are deeply tied to larger events. It’s but one of the many gifts for repeat readers.

When it comes to the WATCHMEN film, however, it seems that TotBF didn’t make the final cut… sort of. Instead of being placed in the actual film, TotBF is being released as an animated DVD to serve as a companion piece.

I find this sort of cool… and sort of weird.

It’s cool because this kind of thing usually doesn’t happen. When it comes to adaptations – and especially adaptations of comic books – if the producers think something from the source material is irrelevant, it’s gone. Here, however, we have a middle ground. Most people who see WATCHMEN will appreciate that the seemingly superfluous material was cut, but diehard fans will still have a chance to see their beloved content in a polished and packaged format. Plus, it’s something to hang onto to prolong the WATCHMEN high.

At the same time, though, the animated DVD strikes me as a less-than-perfect idea. The whole point of TotBF is that you’re supposed to compare it to events in the larger WATCHMEN story. You actually need to see the scenes cross-cut and placed side by side for it to work. It’s just the littlest bit impossible to do this with the DVD.

Bottom line: I’m happy to have the bonus content, even if it’s not ideal. And, as an obsessive, raving fan, it’s nice to know that someone out there cares.

But what do you think? Is Tales of the Black Freighter what every good comic book fan deserves, or is it a poor compromise that just won’t satisfy?

Jeffrey Dean Morgan as the Comedian is okay… I guess…

February 23rd, 2009

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When I first heard that Jeffrey Dean Morgan would be playing the Comedian, the rough-and-tumble, cigar-smoking, flame-spewing, superbad assassin from WATCHMEN, my first thought was… You mean the guy from Grey’s Anatomy? (that’s right, I’ve seen Grey’s Anatomy)

In other words, Morgan was not my first choice. The Comedian is a bad, bad man (pretty much any of the shocking, controversial things you’ve heard about the movie can be attributed to this character), and I don’t really get a bad vibe from Morgan. I get more of a fun uncle vibe. Hopefully I can be forgiven for thinking that the man who starred in such notable epics as P.S. I love You and Fred Claus was not the best choice to play a war-mongering rapist.

But once I saw the guy in costume and makeup, I did change my mind… somewhat. For starters, it’s almost creepy how much Morgan looks like the character in the comic book, and that’s about half the battle for me. Furthermore, from what I’ve seen in the trailers, Morgan does seem to have a handle on the whole “I love violence” thing that the Comedian is known for. For proof, check out the scene where he smirks while spraying down a wave of enemies with a flame-thrower, and then lights a cigar… with the same flame-thrower.

All in all, I give Morgan my seal of approval, but I still think there might have been a better choice. Who exactly? I’m not sure. I guess I’m getting picky…

In any event, apparently Morgan loved going to the firing range, so that’s a step in the right direction.

Your Weekly WATCHMEN Links - Round 2

February 22nd, 2009

First up we have the WATCHMEN arcade game! Click here to play as either Sally Jupiter or Nite Owl and rid the streets of evil.

Next, there are TEN new WATCHMEN clips available from movies.yahoo.com. Click here to start watching!

Finally, if you still haven’t joined our facebook group, do so now by clicking here.

5 reasons to be excited about the WATCHMEN soundtrack

February 20th, 2009

If you haven’t noticed, I’m pretty jazzed about the WATCHMEN soundtrack. The comic book is loaded with musical cues, and it looks like the filmmakers have not only incorporated those cues but – dare I say it? – have improved them. So here it is, five reasons why you should be as excited as I am for the WATCHMEN soundtrack:

1. They’ve added some 80’s sweetness to the mix

Most of the songs referenced in the graphic novel come from the 60s and 70s in a throwback to the heyday of the retired superheroes. The movie’s gone one step further and included some tracks from the 80s (rumor has it 99 Luftballons is in there somewhere) to reinforce the 1985 setting. It’s pretty rare to see a blockbuster with a soundtrack this diverse… and awesome.

2. They’ve used The Sound of Silence…. for non-comedic purposes

I stumbled across an imdb posting claiming that WATCHMEN was the first movie to use The Sound of Silence since The Graduate. However, as an adamant Will Ferrell fan pointed out, the Simon and Garfunkel track also makes an appearance in Old School. Regardless, I’m pretty sure this is the first movie since The Graduate to use The Sound of Silence in a non-ironic way. It’s about time someone brought dignity back to the guys who pretty much invented the movie soundtrack.

3. They went with the Hendrix version of All Along the Watchtower

Same lyrics as the Dylan version, but retooled for an epic fight scene. Just like in the graphic novel, it’s the perfect choice for the song that leads us into the climactic showdown…

4. It’s all original…. save for one forgivable cover

Usually when you have a soundtrack with songs as popular and historic as the ones in WATCHMEN, they’ll cop out and have some trendy contemporary bands do a bunch of covers. Not this time, though. Everything’s original… except of course for the My Chemical Romance cover of Desolation Row. And come on, isn’t it worth it just for the music video with the Gunga Diner blimp in the background?

5. For all you Dylan fans offended by reasons three and four, they’ve added The Times They Are A-Changin’

That’s right, they’ve added even more Bob Dylan to the movie. Amazing.

Where’s Captain Metropolis?… and other missing pieces

February 19th, 2009

wmd-183301This will probably seem like an odd entry considering yesterday’s rant about the viral campaign and Snyder’s respect for detail, but today I want to look at what’s missing from the film.

Fans who have been going over the trailers again and again have begun to notice certain bits and pieces that are notably absent. I was most concerned by Timothy Callahan’s observation that Captain Metropolis seems to have disappeared in the transition from page to screen. (Click here to read Callahan’s article courtesy of Comic Book Resources) Captain Metropolis is a fairly prominent figure in the book who’s responsible for (amongst other things) bringing the various heroes together to form a group.

Now, from an objective film student perspective, I know that the movie can live without Captain Metropolis. He’s important, but not so important that the narrative can’t function without him, and he’s not a major point of identification for the audience. That being said, I still really, really want to see the Captain and his middle-aged paunch shoved into that sweet red jacket. I can’t help it – he’s funny, he’s engaging, and he’s one of the best examples of just how problematic a real-world superhero would be.

But, alas, it looks like I may not get my wish.

Because as much as I may want it to be so, there’s no way everything from the graphic novel can make it into the film. Even with the viral campaign, and even with the Black Freighter DVD (more on that soon!) some things won’t make the cut.

So my question is, when working with a text as critically and commercially successful as WATCHMEN, what’s acceptable to leave out? There’s already been much commotion over the rumored absence of a certain eight-armed beast, but what else needs to be in the film?

As far as I’m concerned, there are only three scenes that need to be in the movie that I haven’t seen proof of yet, and those are the flashbacks explaining the histories of Rorschach, Dr. Manhattan, and the Silk Spectre. These are the scenes that really make the graphic novel for me, and I could see them being glossed over in the film as they’re not directly linked to the overall plot. So I’m keeping my fingers crossed…

But what about you? In the comments section below tell us what you think needs to be in the WATCHMEN movie.

Some Viral Fun

February 18th, 2009

There’s nothing I love more than a good viral campaign. There’s something incredibly fun (and possibly juvenile…) about dragging the world of the movies out of the theatre and into our own.

So naturally I’ve been following the WATCHMEN campaign like a hawk.

You see, the graphic novel originally came with its own viral campaign of sorts. One of the amazing and innovative things about WATCHMEN was the inclusion of “primary documents” scattered throughout the book. At the end of each issue you were treated to an excerpt from Nite Owl’s tell-all memoirs, or part of Sally Jupiter’s scrapbook, or Rorschach’s police report, and so on and so forth. These cool little bonuses helped establish the world of the comic and built on the overall experience.

Now obviously it would be close to impossible to include these documents in the film - but that’s what the good ol’ Internet is for. Warner Bros. has set up an awesome viral campaign that provides a lot of the info from the WATCHMEN documents in really fun, first-hand ways.

For starters, check out the Keene Act PSA posted above to learn how you can help stop the vigilante threat! Then head over to www.thenewfrontiersman.net to read clippings from a New York tabloid ripped right from the pages of the graphic novel. Finally, head over to www.i-watch-the-watchmen.com to download all the WATCHMEN content you could possibly want, be it for your iPhone, desktop, facebook profile, or website.

This viral campaign is one of the reasons I’m convinced we do indeed need a WATCHMEN movie. Not only is it proof that the studio is taking care to respect all the detail from the graphic novel, but it also gives you the chance to experience the story in a whole new way. I’ve been waiting years to see something like the Keene Act PSA.

Now if you’ll excuse me, I’m going to change my profile pic to Dr. Manhattan and yell at any friends who don’t immediately comment.

WATCHMEN Comes Home

February 18th, 2009

Big news for any Home users out there – director Zack Snyder and graphic artist Dave Gibbons will be holding a live interview in the virtual world on February 23rd. Also be sure to keep your eyes open for new WATCHMEN content including t-shirts, costumes, and doomsday clocks.

Click here for more info.

Why Jackie Earle Haley is the Perfect Rorschach

February 17th, 2009

Jackie Earle Haley probably has the single most difficult role in WATCHMEN. Rorschach is the most beloved and revered character from the graphic novel, and even the slightest misstep in his performance will bring scorn from the fan base.

That being said, I think Haley is unquestionably the right choice.

For starters, his acting history is perfectly in line with what the WATCHMEN project is all about. If anything, WATCHMEN is about spanning the divide between popular culture and high art. It’s about taking something as lowbrow as superheroes and turning it into a dramatic masterpiece. As an actor, Haley knows the border between art and the popular very well. An examination of his imdb profile reveals that he’s appeared in Oscar bait like Little Children and All the King’s Men, as well as making time to star in such films as Maniac Cop 3: Badge of Silence and an episode of MacGyver. Haley brings the perfect blend of classical acting skill and an appreciation for pop culture. Put ‘em together and you’ve got WATCHMEN.

wmd-114633Secondly, in wig and makeup, Haley looks an awful lot like Rorschach sans-mask. The bored, judgmental eyes, the wacky red hair, and the vague feeling that this guy wants to murder you - all picture perfect.

Finally, Rorschach is an undeniably crazy but nonetheless sympathetic character, and Haley plays sympathetic-crazy really, really well. If you need proof, go watch Little Children. His portrayal of a child molester who tries to do the right thing is amazingly close to the repulsive attraction of Rorschach. You don’t like this guy, you don’t agree with his actions, but you can’t stop yourself from sympathizing with his all-too-human motivations.

All in all, I don’t think they could have picked a better man to play Rorschach. Now we’ll just have to wait and see how he handles that mask… and how good he is at breaking fingers.

Five Minutes to Midnight: The Politics of WATCHMEN

February 16th, 2009

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One of the things that excites me the most about the upcoming WATCHMEN movie is how people are going to respond to it on a political level. With the success of The Dark Knight and Iron Man, it’s become very trendy to view superhero movies as political allegory, and WATCHMEN should be no different. The graphic novel is rife with social commentary and it’s just ambiguous enough to float an argument on either side of the spectrum.

What I find really cool, though, is that the once cutting-edge message of WATCHMEN is now twenty years old. Retro Political, if you will. You see, WATCHMEN, while timeless in many respects, is still very much a product of the 80s. The story at the core of the graphic novel is cold war anxiety and mutually assured destruction, and how powerless (or powerful) our costumed crimefighters are in that light.

So the question I’ve been asking is, why now?

In a day and age when we’ve got plenty of political topics to argue about, why make a movie dealing with 80s cold war paranoia? Walk through any college campus in North America and you’ll find students protesting conflicts in the Middle East, advocating gay marriage, and arguing about abortion, but when was the last time you saw someone holding a “No Nukes!” sign? What’s the point?

Well, relevant or irrelevant, audiences are definitely going to react to this film, and I think people will view the politics of WATCHMEN in one of two lights:

One, it will be a sober look back at what might have been and a cautionary tale about where we’re going, set to a wicked-cool soundtrack and awesome special effects.

Two, I think people will try to graft the message of WATCHMEN onto contemporary politics, and quite frankly I’m stoked to watch the bickering take place. There are undoubtedly contacts between the world of WATCHMEN and our own, but they’re not clear enough to make one strong argument. If you really wanted to, you could see Rorschach, the insane vigilante who wants justice at all costs, regardless of the repercussions, as an allegory for the former President of the United States. Or, you could see Ozymandias, the genius with a master plan for the world that no one else is smart enough to understand, as a depiction of Mr. Bush. Or maybe Bush is supposed to be the impotent, clumsy Nite Owl. Heck, maybe he’s the Silk Spectre.

WATCHMEN can be interpreted in so many different ways that it’s going to be a lot of fun to see how people deal with the underlying tale of superpowers on the brink of destroying the world.

What are your thoughts? Is WATCHMEN about the need for accountability from those who have appointed themselves as our protectors, or is WATCHMEN about the need for strong, decisive heroes who will do what it takes to ensure our safety?

Or, as this is the Canadian blog, is WATCHMEN about being caught in the middle of a conflict you can do nothing about and wearing flashy costumes to pass the time?